Freelance Work in Advertising and Marketing
| Since 2008 | Translations for Manpower Deutschland |
| Since 2008 | Text and multimedia design for Headline Werbung, Düsseldorf |
| Since 2005 | Text, concept, directing for CPP Studios/Mad Hat GmbH, Offenbach Customers include IBM, O2, Compart, Nixdorf and others |
| Since 2001 | Text, concept and multimedia design for Volk Marketing GmbH & Co, KG, Neu-Isenburg Customers include Raab Karcher, Sescoi, invenio, Hertzing und Schroth, AEG repas, PALL, Malta Direkt, anamed Gele Gmbh, anka GmbH, OCCAR, ver.di and others |
Directing for the Theatre
| 2005 | Lars Noren: Nachtwache (Night Watch) Theatrum Non Gratum, Frankfurt am Main |
| 2001 | Ronald Harwood: Der Fall Furtwängler (Taking Sides) Schlosstheater Celle |
| 2000 | Ariel Dorfman: Der Tod und das Mädchen (Death and the Maiden) Schlosstheater Celle |
| 1999 | Weiß/Breitscheid: P.A.G.S. Junge Oper der Staatsoper Stuttgart |
| 1999 | Torsten Blunk: Die Prinzen von Arkadien Ensemble Crofft, Frankfurt am Main |
| 1999 | Oscar Wilde: Bunbury (The Importance of Being Earnest) Kleines Theater am Kap, Cape Town, SA |
| 1998 | C. M. von Weber: Der Freischütz Festspiele auf Schloss Kranichstein, Darmstadt |
| 1998 | Jean Paul Sartre: Geschlossene Gesellschaft (Huit Clos) Stadttheater Gießen |
| 1997 | Willi Schlüter: Rommy und Julchen Nordhessische Landesbühne, Bad Hersfeld |
| 1997 | Anton Cechov: Der Bär/Der Heiratsantrag Nordhessische Landesbühne, Bad Hersfeld |
| 1996 | Peter Schmutzler: Ausgetrickst. Ein Biedermeier-Musical Musikschule Kriftel |
| 1994 | G. B. Pergolesi: La Serva Padrona Freies Operntheater, Köln/Düsseldorf |
| 1994 | Albert Lortzing: Der Waffenschmied Freies Operntheater, Köln/Düsseldorf |
| 1993 | Molière: Tartuffe oder der Eindringling Kölner Musical Company, Köln |
| 1993 | Paul Barz: Sonntagsfahrt Kölner Musical Company, Köln |
| 1992 | Helmut Barz: Bist Du in Ordnung, Charlie Brown? Kölner Musical Company, Köln |
Teaching Activities
| 2000 und 2001 | Teaching Assignment for Acting at the Summer Academy Marburg |
| Seit 1999 | Acting and rhetorics coach for private and corporate customers |
| 1993 bis 1998 | Teaching assignment for Stage Tech at the Drama Department of the Justus-Liebig-Universität Gießen |
Other Activities
| Since 2002 | Professional services for love letters and interpersonal communication |
| 2002 to 2005 | Co-founding, organisation and artistic direction for the Theatrum Non Gratum, Frankfurt am Main |
| 2002 | Assistant director for Krzysztof Zanussi, Production Der Beweis, Konzertdirektion Landgraf |
| 2000 | Assistant director for Krzysztof Zanussi, Production Amys Welt, Konzertdirektion Landgraf |
| 2000 to 2002 | Data management for the corporate database www.form.de for the Verlag form GmbH, Frankfurt am Main |
| 1998 | Assistant director at TAT Frankfurt, for director Alexander Brill Production: Tankred Dorst: Merlin |
| 1992 to 1995 | Reseach assistant at the Drama Department of the Justus-Liebig-Universität Gießen |
| 1992 and 1994 | Technical Direction for the Diskurs festival of student theatre at the Justus-Liebig-Universität Gießen |
| 1992 to 1998 | Several lighting designs for theatre productions |
| 1992 | Assistant director at the Schlosstheater Celle |
| 1990 to 1994 | Dramaturg for the Diskurs festival of student theatre at the Justus-Liebig-Universität Gießen |
| 1988 to 1990 | Internship, assistant director and acting at the Hansa-Theater Berlin |